\n
Form\u00e9\u00a0\u00e0\u00a0Bologne au sein de l’Accademia Filarmonica, Giuseppe Torelli est en 1698 – date \u00e0 laquelle il compose son opus 6 –\u00a0violon solo de l’orchestre de Georg Friedrich II de\u00a0Brandebourg-Ansbach, une des principaut\u00e9s du Saint-Empire germanique.<\/p>\n
Le 1er concerto de l’opus 6 constitue l’une des\u00a0publications les plus importantes du baroque tardif. Il s’agit d’une des toutes premi\u00e8res\u00a0formes du concerto pour instrument soliste \u2013 par opposition au\u00a0concerto grosso<\/em>, dans\u00a0lequel un groupe de solistes dialogue avec le reste de l’orchestre, le\u00a0repieno<\/em>. Le\u00a0compositeur participe \u00e9galement \u00e0 fixer le mod\u00e8le du concerto en trois mouvements : premier mouvement rapide, second mouvement lent, dernier mouvement rapide.<\/p>\n\u2022 Biber, La Battalia dur\u00e9e : 10′<\/p>\n
Violoniste virtuose et au temp\u00e9rament fantasque, Heinrich Biber se fait remarquer tant par sa ma\u00eetrise technique \u2013 il jouait sans difficult\u00e9 en 6e ou 7e position \u2013 que pour les compositions qu’il\u00a0consacre \u00e0 son instrument, qui font appel \u00e0 un vaste \u00e9ventail technique, et notamment la\u00a0scordatura<\/em>\u00a0\u2013 technique qui consiste \u00e0 d\u00e9saccorder une ou plusieurs cordes, ce qui\u00a0change non seulement la fa\u00e7on de jouer mais aussi les couleurs produites par\u00a0l’instrument.<\/p>\nCette cr\u00e9ativit\u00e9 d\u00e9routante se retrouve \u00e9galement dans la\u00a0Battalia<\/em>, aux passages d’une\u00a0stup\u00e9fiante modernit\u00e9, par ses effets cacophoniques et l’usage du patchwork, mais aussi\u00a0par les diff\u00e9rentes couleurs obtenues par des techniques originales (col legno, pizzicato main\u00a0gauche, feuille de papier \u00e0 ins\u00e9rer sous la corde).<\/p>\nL’oeuvre porte pour sous-titre : \u00ab les errances dissolues des Mousquetaires, la Marche,\u00a0la Bataille, la Complainte [ou G\u00e9missements] des bless\u00e9s, comportant des Arias\u00a0imitatives, d\u00e9di\u00e9es \u00e0 Bacchus \u00bb, sorte de programme pour chaque mouvement. L’oeuvre\u00a0a probablement \u00e9t\u00e9 destin\u00e9e \u00e0 un Carnaval \u00e0 la Cour de Salzbourg.\u00a0La d\u00e9dicace au dieu du vin fait sans doute r\u00e9f\u00e9rence \u00e0 la quantit\u00e9 d’alcool habituellement\u00a0ingurgit\u00e9e avant le combat afin d’insuffler du courage aux Hollandais sur le champ de\u00a0bataille. Le second mouvement est construit \u00e0 partir de huit airs populaires jou\u00e9s\u00a0simultan\u00e9ment, dans deux tonalit\u00e9s diff\u00e9rentes.<\/p>\n
\u2022 Vivaldi, Les Quatre saisons dur\u00e9e : 40<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
Si, aujourd’hui, les\u00a0
Quatre Saisons<\/em>\u00a0font certainement partie des trois morceaux de musique classique les plus c\u00e9l\u00e8bres, ces concertos pour violons \u00e9taient, \u00e9tonnement, tomb\u00e9s dans l’oubli quelques ann\u00e9es apr\u00e8s leur publication en 1725.<\/div>\n\n
Avant chaque saison, Vivaldi a plac\u00e9 un sonnet descriptif, avec un renvoi dans la partie musicale.<\/div>\n
On entend ainsi tant\u00f4t \u00ab un berger endormi \u00bb, un \u00ab chien qui aboie \u00bb, des chants d’oiseaux comme le coucou ou la tourterelle, des \u00e9l\u00e9ments naturels comme un orage, une pluie de gr\u00eale, mais aussi des sc\u00e8nes pittoresques comme une f\u00eate pour c\u00e9l\u00e9brer les r\u00e9coltes, le grelottement de froid, le sommeil apr\u00e8s la boisson, etc.<\/div>\n<\/div>\n<\/div>\n
\n
Adresse:<\/h2>\n
Eglise Notre-Dame – 2 Rue de l’\u00c9glise, 92100 Boulogne-Billancourt<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"
Direction Jan Orawiec, violon (jou\u00e9-dirig\u00e9)<\/p>\n
Orchestre Ostinato<\/p>\n
Vivaldi
\nBiber
\nTorelli<\/p>\n
Eglise Notre-Dame Boulogne-Billancourt<\/p>\n","protected":false},"author":2,"featured_media":4134,"template":"","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","ghostkit_customizer_options":"","ghostkit_custom_css":"","ghostkit_custom_js_head":"","ghostkit_custom_js_foot":"","ghostkit_typography":"","_mi_skip_tracking":false,"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":""},"tags":[],"tribe_events_cat":[],"class_list":["post-4132","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\n
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